Biography

Nick Verhaeghe (b. 1991, Knokke-Heist, Belgium) is a visual artist working at the intersection of memory, matter, and image. He studied photography at LUCA School of Arts (Narafi) and participated in an exchange program at Le75 in Brussels. He interned with photographer Jimmy Kets and later took masterclasses with Mashid Mohadjerin and Victor Verhelst.

His work has been shown internationally, including at Format Festival (UK & New Zealand), BredaPhoto (NL), Photoempauta (BR), and the Antwerp and Ostend Photo Biennales (BE). He has had solo exhibitions at Ingrid Deuss Gallery, Art et marges Museum, and others.

Verhaeghe is also active as an educator, giving masterclasses and lectures on low-toxicity and circular photography processes. He collaborates with academic and governmental institutions, including The Sustainable Darkroom (UK), Moridarkroom (BE), and FOD Nature & Forestry (BE).

Artist Statement

In photography, as in architecture, nothing exists in isolation. Materials carry memory—transforming, fading, resurfacing. My work moves through this cyclical flow, where images don’t vanish but evolve. Photography, for me, is not a linear process—it’s circular.

I work with the residue of image-making: plant-based developers, reclaimed silver, exhausted bleaches. Waste materials are not discarded but transformed—what remains becomes a building block for what follows. The boundary between image and leftover blurs, just as layers of sediment carry echoes of what once was.

The image is not simply a capture; it is the result of a process in which chemistry, nature, and decay all co-author the final form. Depending on the plant used, prints may vary in tone, texture, or contrast—making the natural process itself a participant in the visual language.

I also explore beyond the photographic frame, incorporating etching and sculptural approaches that connect the image to materiality. This challenges photography’s two-dimensional tradition—opening it up, both conceptually and physically.

My practice exists in this dialogue: between memory and transformation, between what is fixed and what is in flux. Images are portals—not just to other spaces, but to shifting relations between the visible and invisible. In this circular approach, nothing is lost—everything becomes something again.


Biography
Artist Statement


Nick Verhaeghe (b. 1991, Knokke-Heist, Belgium) is a visual artist working at the intersection of memory, matter, and image. He studied photography at LUCA School of Arts (Narafi) and participated in an exchange program at Le75 in Brussels. He interned with photographer Jimmy Kets and later took masterclasses with Mashid Mohadjerin and Victor Verhelst.

His work has been shown internationally, including at Format Festival (UK & New Zealand), BredaPhoto (NL), Photoempauta (BR), and the Antwerp and Ostend Photo Biennales (BE). He has had solo exhibitions at Ingrid Deuss Gallery, Art et marges Museum, and others.

Verhaeghe is also active as an educator, giving masterclasses and lectures on low-toxicity and circular photography processes. He collaborates with academic and governmental institutions, including The Sustainable Darkroom (UK), Moridarkroom (BE), and FOD Nature & Forestry (BE).

In photography, as in architecture, nothing exists in isolation. Materials carry memory—transforming, fading, resurfacing. My work moves through this cyclical flow, where images don’t vanish but evolve. Photography, for me, is not a linear process—it’s circular.

I work with the residue of image-making: plant-based developers, reclaimed silver, exhausted bleaches. Waste materials are not discarded but transformed—what remains becomes a building block for what follows. The boundary between image and leftover blurs, just as layers of sediment carry echoes of what once was.

The image is not simply a capture; it is the result of a process in which chemistry, nature, and decay all co-author the final form. Depending on the plant used, prints may vary in tone, texture, or contrast—making the natural process itself a participant in the visual language.

I also explore beyond the photographic frame, incorporating etching and sculptural approaches that connect the image to materiality. This challenges photography’s two-dimensional tradition—opening it up, both conceptually and physically.

My practice exists in this dialogue: between memory and transformation, between what is fixed and what is in flux. Images are portals—not just to other spaces, but to shifting relations between the visible and invisible. In this circular approach, nothing is lost—everything becomes something again.



Education

LUCA School of Arts – Narafi, Brussels (BE)
Le75 – École Supérieure des Arts de l’Image, Brussels (BE)
Internship – Jimmy Kets (BE)


Education

LUCA School of Arts – Narafi, Brussels (BE)
Le75 – École Supérieure des Arts de l’Image, Brussels (BE)
Internship – Jimmy Kets (BE)

Masterclasses

2024 — Victor Verhelst (Het Entrepot)
2022 — Mashid Mohadjerin (NUCLEO/BLANCO)
Ongoing — Anja Hellebaut, One on One (MentorMentor)


Masterclasses

2024 — Victor Verhelst (Het Entrepot)
2022 — Mashid Mohadjerin (NUCLEO/BLANCO)
Ongoing — Anja Hellebaut, One on One (MentorMentor)

Solo Shows

2025 –– Art Resonance Gallery – Geneva, CH, BE
2025 — Ingrid Deuss Gallery, Antwerp, BE
2025 — Art & Marges museum, BE
2025 — Centre Culturel Bruegel, Brussels, BE
2023 — OTTO Gallery, Ghent, BE
2021 — Catching waves, BE
2019 — KAF Gallery, Knokke, BE
2016 — Gallery Berko, Knokke, BE


Solo Shows

2025 –– Art Resonance Gallery – Geneva, CH, BE
2025 — Ingrid Deuss Gallery, Antwerp, BE
2025 — Art & Marges museum, BE
2025 — Centre Culturel Bruegel, Brussels, BE
2023 — OTTO Gallery, Ghent, BE
2021 — Catching waves, BE
2019 — KAF Gallery, Knokke, BE
2016 — Gallery Berko, Knokke, BE

Group Shows

2025
– Art Resonance Gallery – Geneva, CH
– Louis Buysse Gallery, Knokke-Heist, BE
– Kunstenhuis Harelbeke, BE
– Contretype Archipel Médor – Brussels, BE

2024
– Art Resonance Gallery – Geneva, CH
– Art Resonance – Buchillon, CH
– Pijpketel – Zottegem, BE

2023
– Ostend Photo Biennale – Ostend, BE
– OTTO Gallery – Ghent, BE
– Aqualex Gallery I & II – Knokke, BE
– PEP – Berlin, GR

2022
– Verzameld Werk 3, BLANCO – Ghent, BE
– CC Oostkust Kunst – Knokke, BE
– Masterclass BLANCO – Ghent, BE
– Cwart Gallery ‘Natural Vibes’ – Knokke, BE
– LUCA 4, Faculty Club – Leuven, BE
– Rotterdam Photo – Rotterdam, NL
– Photoempauta – Tirandentes, BR

2021
– Format Festival – UK & NZ
– Photography Biennale – Condroz, BE
– Bunkerzoom – BE / FR / NL
– Onboards Biennale – Antwerp, BE
– ID Gallery – Knokke, BE
– Catching Waves – Knokke, BE
– CC Impact – Oudenburg, BE
– CC Ondersporen – Hasselt, BE

2020
– In Side Out (Breedbeeld) – Bosland, BE
– Open Air Expo – Knokke, BE

2019
– KAF Gallery – Knokke, BE
– Foodfest II – Cadzand, NL (with Kamagurka)

2018
– Unknown Masterpieces – CC Scharpoord – Knokke, BE
– KAF Open Air Expo – Knokke, BE
– KAF Open Air Expo – Damme, BE
– Can’Art Festival, Splinters – Kuurne, BE
– Foodfest I – Cadzand, NL (with Kamagurka)
– Gallery Hirez – Oostkamp, BE

2017
– Gallery Berko – Knokke, BE
– CC Surfing the Cult of Cool – Knokke, BE

2016
– Inter-Fotofestival – CC Knokke, BE
– Gallery Maenhoudt – Knokke, BE
– Gallery Berko – Knokke, BE
– Tour & Taxis II – Brussels, BE

2015
– CC Ten Weyngaert – Brussels, BE
– Tour & Taxis I – Brussels, BE


Group Shows

2025
– Art Resonance Gallery – Geneva, CH
– Louis Buysse Gallery, Knokke-Heist, BE
– Kunstenhuis Harelbeke, BE
– Contretype Archipel Médor – Brussels, BE

2024
– Art Resonance Gallery – Geneva, CH
– Art Resonance – Buchillon, CH
– Pijpketel – Zottegem, BE

2023
– Ostend Photo Biennale – Ostend, BE
– OTTO Gallery – Ghent, BE
– Aqualex Gallery I & II – Knokke, BE
– PEP – Berlin, GR

2022
– Verzameld Werk 3, BLANCO – Ghent, BE
– CC Oostkust Kunst – Knokke, BE
– Masterclass BLANCO – Ghent, BE
– Cwart Gallery ‘Natural Vibes’ – Knokke, BE
– LUCA 4, Faculty Club – Leuven, BE
– Rotterdam Photo – Rotterdam, NL
– Photoempauta – Tirandentes, BR

2021
– Format Festival – UK & NZ
– Photography Biennale – Condroz, BE
– Bunkerzoom – BE / FR / NL
– Onboards Biennale – Antwerp, BE
– ID Gallery – Knokke, BE
– Catching Waves – Knokke, BE
– CC Impact – Oudenburg, BE
– CC Ondersporen – Hasselt, BE

2020
– In Side Out (Breedbeeld) – Bosland, BE
– Open Air Expo – Knokke, BE

2019
– KAF Gallery – Knokke, BE
– Foodfest II – Cadzand, NL (with Kamagurka)

2018
– Unknown Masterpieces – CC Scharpoord – Knokke, BE
– KAF Open Air Expo – Knokke, BE
– KAF Open Air Expo – Damme, BE
– Can’Art Festival, Splinters – Kuurne, BE
– Foodfest I – Cadzand, NL (with Kamagurka)
– Gallery Hirez – Oostkamp, BE

2017
– Gallery Berko – Knokke, BE
– CC Surfing the Cult of Cool – Knokke, BE

2016
– Inter-Fotofestival – CC Knokke, BE
– Gallery Maenhoudt – Knokke, BE
– Gallery Berko – Knokke, BE
– Tour & Taxis II – Brussels, BE

2015
– CC Ten Weyngaert – Brussels, BE
– Tour & Taxis I – Brussels, BE


Distinctions

Publication Prize – No Name Collective MAgazine (UK)
Publication Prize – Mood Art Collective (UK)
Publication Prize – Suboart Art (PT)
Publication Prize – Gomma Books (UK)
Publication Prize – Valentine Editions (UK)
Publication Prize – Dito Publishing (IT)
Juror’s Favorite – Incadaques Photo Festival (FR)
Finalist – Film Photo Awards (USA)
Finalist – BredaPhoto (NL)
SOFAM Award – Lifetime Protection
Graduation Prize – De Morgen
Imprenta – Best Artistic Work


Distinctions

Publication Prize – No Name Collective MAgazine (UK)
Publication Prize – Mood Art Collective (UK)
Publication Prize – Suboart Art (PT)
Publication Prize – Gomma Books (UK)
Publication Prize – Valentine Editions (UK)
Publication Prize – Dito Publishing (IT)
Juror’s Favorite – Incadaques Photo Festival (FR)
Finalist – Film Photo Awards (USA)
Finalist – BredaPhoto (NL)
SOFAM Award – Lifetime Protection
Graduation Prize – De Morgen
Imprenta – Best Artistic Work

Funded Research

The Eco.Image — EU Funded (Portugal & Brussels)
Invasive Coastal Exotics — FOD Nature and Forestry (Belgium)


Funded Research

The Territory Project — Funded by Contretype, Art & Marges Museum and Cc Breugel (The Marolles, Belgium)
The Eco.Image — EU Funded (Portugal & Brussels)
Invasive Coastal Exotics — FOD Nature and Forestry (Belgium)

Tutorship

Ongoing — Self-initiated masterclasses on circular and low-toxicity photography (BE/UK)
Workshops: Moridarkroom (BE), The Sustainable Darkroom (UK), Het Entrepot (BE), SASK Academies (BE), BREEDBEELD (BE) , Academie Sint lucas (BE), LUCA School of Arts (BE)
Technical Advisor: Aliki Christoforou, Mathieu Litt, KNEPH, Jolene Mok
Lomography – La Sardina (Antwerp)


Tutorship

Ongoing — Self-initiated masterclasses on circular and low-toxicity photography (BE/UK)
Workshops: Moridarkroom (BE), The Sustainable Darkroom (UK), Het Entrepot (BE), SASK Academies (BE), BREEDBEELD (BE) , Academie Sint lucas (BE), LUCA School of Arts (BE)
Technical Advisor: Aliki Christoforou, Mathieu Litt, KNEPH, Jolene Mok
Lomography – La Sardina (Antwerp)



Curators














Publications




'Portals of Displacement';
De standaard, De morgen, Het laatste nieuws, Knokke-talks,
Kneistikrant, Krant van West-Vlaanderen, Streeknieuws,  Dito-publishing II (IT)

'Portals of Displacement';
'Valentine editions (ENG), Dino-Zine (ESP), L'Oeil De la Photographie (FR), Rotterdam art week (NL) Dito-publishing I & Yoghurt magazine (IT)

'Seashaped';
'Art of living, De morgen, zoute talks, KH magazine, KW Weekend, L'Officiel hommes

'Sleeper '
RTC Tele Liege, De standaard

Seashaped'
Strandhotel magazine' (NL)'

'Art-i-fax' & 'Sleeper'
Art platform KLAP


'Seashaped'
Cityzine summer edition
Collective Exhibition Scharpoord 'Unknown Masterpieces' TamTam

Exhibition Cc Scharpoord 'Seashaped';
Metro Weekend (front page), Flair,
KH Magazine, De Morgen, Libelle, De Zondag, KW Weekend Knack, Steps

Publication 'Love Marks'; Zoute Paper

Collective Exhibition 'Mist';
Zoute People, Zoute Paper, Art nocturne

Exhibition 'Seashaped';
Zoute People, Zoute Paper, Knokke Actueel, L'eventail (FR)

'Seashaped'
Competition finalist De Morgen

Skate magazine 'Stoked'





inquiries



Info@nickverhaeghe.be



+32 497 435 639